Friday, 30 July 2010

Aaaaaand Cut!

It was announced by the government on the Monday 26th July 2010 that the UK Film Council will be abolished. I have read several newspaper stories about an I was not happy. As I plan to to woking in animation and special effects not having a Film Council could be terrible for a lot of people in the UK.


My plan was to see what I could do to help the best was I know how. Through design. I began searching for any organisations that were trying to help the British Film Industry and found one: http://www.savethebritishfilmindustry.com/ On this sine I was looking for someone to get in touch with who needed promotional material for what I assumed to be a good cause. I  e-mailed the man who appeared to be in charge only to find out that the history of the British Film Council appears to be a scam. After an hour long phone call I understood. The British Film Council appeared to cater for 75 employees; fat cats that were being paid hundreds of thousands per year so they could live the high life, stop diversity and stand in the way of british film.


Although you would all like to think that films such as James Bond and Harry Potter are british, they are not. They have been funded by hollywood studios such as warner brother and paramout. This is an opportunity for the british film industry more specifically the west milands. A large number of studio sound stages are based around London but they are running out of room. There is a lot of space in the midlands for their large studio sound stages but the bosses of the film council were not allowing these areas to expand to other parts of country. If we can convince the council an by extent the government to invest in this it could not only provide long term jobs but also see the revival of the British film industry. For more information please visit http://www.savethebritishfilmindustry.com/









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Thursday, 29 July 2010

Motion Graphics Identity

I have just made my first motion graphic identity for Omari McCarthy Design. Check it out here.


Too see the full project Click here




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Thursday, 22 July 2010

Dyslexic Brian Idenitiy

After attending my Final Major Project exhibition at the end of last month I went to a small seminar. There I met a lovely couple, Antonio and Goga, Co-Founders of Dyslexic Brian who just happened to be looking for a logo designer.  As I never leave my house without my business cards so I was able to give one out with turned out to be a great conversation starter. Before I knew it I had my very first commission.





To see the full project 'Click Here'



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Wednesday, 21 July 2010

Lessons Learnt

I have been freelancing since the 16th June 2010. I have worked on several projects some have been more successful than others. But they have all been worth it because of what I have learnt. Below are several pieces I created to articulate what I have learnt and my opinion on certain things in design. 



Never work for free: it causes people to undervalue design. This includes spec work and competitions especially under the disguise of good exposure. Design is more than worth its price and designer should not have to prove themselves to client who come to them for jobs.
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Listen to the client: Communication is key. This also works both ways. It is important for the designer and client to listen to each other and accept they do not fully understand each others field. To avoid erros later down the line and streamline the entire project it is important that their is a clear line of communication between the designer and client.
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Do not underprice yourself: you will be branded as the "cheap guy". This is very true for freelances like myself who are just starting out in the business. It is easy to think that you will get more client by dropping you price however this is not the case. When you have a lower price client will asume that you are worth that price and find someone else. It is safer to overprice and negotiate back down that to underprice.
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Netwok Netwok Netwok: you never know who you might meet. This is true for all areas of design. Personally i never leave my house without a stack of business cards to hand out just in case. Attend exhibitions, talk to other designers, talk to non designers, family, friends and just let people know what you do. If you dont tell anyone then how will they know to come to you when they need design work. This has always worked for me I have not been without a project since I have begun.
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Be a businessman first, designer second. I have heard some say that most people get into freelance for the design but the successful ones get into it for the business. This must be true as I have heard freelancers make between £5,000 and £100,000 per year. As much as we enjoy the creative side its time we put down out pen tablets and picked up some business books.
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Fight for your rights: Or no one lese will. As a designer. You have more rights that you know. To find out more please visit: The AIGA Copyright Basics.
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Quote early and honestly: It avoids a lot of hassle later. Coming back to price this is one of the things that freelancers often stumble on. It is best to decide on a rate once a design brief has been completed and both parties know what to expect. There are a load of variables to consider such as cost of materials, times taken, research, printing cost and many more all of which have to be weighed up agains bills, software cost, overhead cost, taxes and making a profit on top of that.
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Doodle before you Mac: Never underestimate the power of the pencil. Raise your hand if you have you had an idea, jumped strait onto your mac book pro and begun working (*hand raised*). i think we are all guilty of that. What we need to do is sketch, sketch and sketch some more. You woud surprised how often getting an idea down onto paper can help ideas flow a lot faster. They dont have to be works of art, it is about idea generation not creating a masterpiece. Try it. You will be pleasantly surprised.
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Thursday, 1 July 2010

Project 52


Project 52 is personal project by Omari McCarthy. Coming soon.


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Glastonbury 2010: Guardian Guide

I know it is a little bit late but I made a few posters fro Glastonbury. These posters were actually made on my Art Foundation course at BCU. Our brief below was fairly open brief which instead of being a breath of fresh air, most found daunting.

Brief: "You have been commissioned to create the front cover publicity material for the Guardian Lounge and the Glastonbury Festival 2010. This will include designs for the front cover of the Guardian Guide, Flyers, Pass Badges and other items for the interior of the lounge."

Research: I began my research by looking at past issued of the Guardian Guide. I observed, analysed an critiqued the different covers looking at the design aesthetics of each piece, their purpose and effect on the audience. Many things had to be taken into consideration such as the size of the magazine (roughly A5), target audience, existing fonts and logo.

Ideas: I began to brainstorm possible solutions to the problem using a mind map. Focusing more on quantity of ideas and generating a large amount regardless of weather they could be executed kept the process free and open. Once I has several ideas down I began to look at the swiss deign movement, retro design, the work of James White and color psychology.




















Grade Received: Merit


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